“Until The Sun Rises”: Q&A with Artist & Curator Vanessa Chen

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Vanessa Chen (陳詠昕) was born and raised in Taipei. Currently finishing up the last stretch of grad school (MFA Social Practice) in D.C., she is a curator/artist who uses art as a form of advocacy and to influence policy change. Outside of art school, she is a human rights advocate and a multilingual translator for refugees, asylum seekers, victims of domestic violence and sexual abuse, and many more who are experiencing crises.  We're pleased to share this Q&A with Vanessa on her…

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Wish-Granting and Magic-Making in “When You Wish Upon a Lantern”

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In Gloria Chao’s “When You Wish Upon a Lantern,” wishes don’t magically come true. They are received with kindness, guided, and often painstakingly maneuvered “into the light.”  Born and raised in Chicago’s Chinatown, Liya Huang and Kai Jiang are childhood best friends whose families harbor a mutual dislike not unlike the Montagues and Capulets - if the Montagues and Capulets were passive-aggressive and dueled with their children instead of weapons. Still, Liya and Kai share…

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Director’s Picks: Ten Films from Taiwan to Watch

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By guest contributor Brian Hu, a film curator and educator with a focus on Asian and Asian American cinema. Where does one start with Taiwan cinema? While it was barely scraping by with a couple dozen features per year in the early 2000s, the Taiwanese film industry had once been one of the world’s biggest, churning out a combination of local Taiwanese-language productions, big propaganda epics, and Hong Kong co-productions. This is a formidable history, one that has chronicled Taiwanese…

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Why I Love “Everything Everywhere All At Once”

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  From the point of view of a Taiwanese American eighteen year old aspiring filmmaker I’ve been following “Everything Everywhere All At Once” since the first trailer released over a year ago. The trailer told me nothing about the plot of the movie, but as soon as I saw it, I knew it would be the most epic movie I had ever seen. There was a combination of factors that intrigued me: the sci-fi/Asian American immigrant mother-daughter hybrid story, the mysteriousness of the trailer,…

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Now accepting submissions: 2023 Betty L. Yu and Jin C. Yu Creative Writing Prizes celebrate Taiwanese American student and adult writers

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TaiwaneseAmerican.org is pleased to announce the 2023 Betty L. Yu and Jin C. Yu Creative Writing Prizes. Created in 2021 in collaboration with Taiwanese American author Charles Yu, the Prizes are intended to encourage and recognize creative literary work by Taiwanese American students, and to foster discussion and community around such work. In 2022, the prize expanded to include a separate middle school category for 6th-8th grade applicants, judged by Alvina Ling. This year, we have added an…

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“The Jennie Show” on TaiwanPlus: Animated First-Hand Telling of “Third Culture” Experiences in Taiwan

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Enjoying the best of both worlds or finding comfort in a “third culture”? A stranger in a strange land or a homecoming full of quirks and wonders? Learning about a foreign yet familiar culture or rediscovering one’s own identity? These are some of the questions Jennie explores in her return to Taiwan as experienced through her Taiwanese American lens – via Colorado, to be exact. “The Jennie Show”, a short-form animation recently released on the fast-growing global streaming platform…

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This is why you must read “THIS IS NOT MY HOME”

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An Interview with Best Friends Eugenia Yoh and Vivienne Chang, and a Review of Their Debut Picture Book This is a totally unbiased review of the greatest debut picture book I’ve ever read. The first time I read This Is Not My Home was, indeed, not at my home—rather, it was at a publishing house. For context, this publishing house was supposed to be a new home for not only myself, but also Eugenia, for we were both newish hires at the time. At the time, the publishing house still felt…

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Coming of Age with Grace Lin’s “Year of the Dog”

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“So, what are you?”  Since childhood, I've had a go-to response: “I’m fifty-percent Taiwanese, twenty-five percent Mexican, and twenty-five percent German.” I was proud to present myself as a unique combination of races and ethnicities, to be “othered” from any and all groups; but this statistical proclamation showed that I only understood myself as a pie chart in which I was part of a whole. I wasn’t allowed full access into any of these identities. I grew tired trying to…

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Tyler Tsai: Furikake Gohan

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Fatigue gnaws you as you slide onto the wooden stool of your favorite midnight diner. The air is smokey, pungent with the scent of shoyu and steam exhaling from the rice cooker. When it clears, you see your chef dicing green onions and cracking eggs, which he whisks into a creamy froth. As your eyes salivate and your stomach stares, the chef pours the liquid egg into a sizzling pan, which hisses as he slices golden jewel aspic into tiny cubes to melt over your hot rice.  If you were presented…

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